Minggu, 30 Maret 2014

[C441.Ebook] Free PDF Dronish (A Walker Saga Book 6), by Jaymin Eve

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Dronish (A Walker Saga Book 6), by Jaymin Eve

A young adult paranormal romance series.�
An epic journey.�
If the Seventine are released, will anyone survive?�

With the convergence date looming closer, Abigail’s in the final countdown to imprison the Seventine. It is do-or-die time, and she is determined that the Seventine will be the ones who die, figuratively speaking. Her current priorities: gather the Dronish half-Walker female and reform her melding bond with Brace.

Dronish is a world more alien than any other Abigail has ventured through, which is really saying something. But it’s also a dying land. The inhabitants are running out of energy and there’s little hope for their survival. Of course, that makes it very hard to convince Sapha – the half-Walker – that she should help save the star system. If her world is doomed already, she doesn’t care much about the rest.

Okay, task one is going to be tougher than Abigail anticipated, but at least reforming the bond should be easy … right? Of course, that was before she met with the lalunas. Now she knows that both items on her to-do list have jumped right into the realm of impossible.

  • Sales Rank: #9671 in eBooks
  • Published on: 2015-03-09
  • Released on: 2015-03-09
  • Format: Kindle eBook

About the Author
Jaymin Eve loves surrounding herself with the best things in life: a good book, chocolate and her two little girls. She’s been writing for about ten years and now it’s settled into her blood and she can’t get it out. Not that she wants to.

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5 of 5 people found the following review helpful.
Walker sized heart attack!!!!
By JP
Okay dronish should come with its own warning label. "attention all readers be prepared to have a walker universe sized heart attack!" Reading dronish is like eating a roll of chocolate chip cookie dough, smothered in awesomesauce, and then dusted with unicorn glitter. You have outdone yourself this time and I'm super excited for Earth. The cliffhanger you gave at the end of dronish will haunt me until the next book.

3 of 3 people found the following review helpful.
Dronish - Alive and Well!
By ExtremelyPicky2
I've been impatiently waiting for Dronish. Not only was it well worth the wait, Jaymin Eve released it early. It's great. I loved it! You can almost feel how the characters have grown little by little over the span of the books. One of the big secrets that has been building through the series was revealed to all. Someone disappears, someone reappears (kind of) and more 'what the hey moments' with plenty of action. Not sure if Brace's mother can be trusted. Love Abby and Brace. Gotta love Fury. Looking forward to reading Earth although I don't want the series to end.

2 of 2 people found the following review helpful.
Couldn't stop reading until I read all six books!
By Anna
Wow, what an amazing and engaging series! I was supposed to be packing up my apartment to move the past few days but I have read all six books in the series instead!
I was fascinated about Ms. Eve's description of the Dronish world. I wish there was a bit more character development of the half walkers introduced in this book (Sapha) and book 5 (Delane). I also wish there was a bit more of Sapha's inner conflict mentioned in the summary. She only says her world isn't worth saving since it is already dying once or twice...it is not a major roadblock to Abby's mission.
Those couple of criticisms aside, it's rare you find a series that has so many characters you genuinely care about. Characters grow on you as they grow on the protagonist (ex: Fury) so you feel like you are experiencing new relationship developments with Abby and friends.
One advantage to starting. Series late is that I only have one more book to wait for and it will be out later this year! I am anxious to see if my prediction as to who the 7th half walker is. If I am right, it is someone who had an impact on Abby and we haven't seen her since book 1.
I highly recommend this series, as well as this author's Supernatural Prison series!

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Jumat, 28 Maret 2014

[D489.Ebook] Free Ebook Patterns in Language: Stylistics for Students of Language and Literature (Interface), by Joanna Thornborrow, Shân Wareing

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Patterns in Language: Stylistics for Students of Language and Literature (Interface), by Joanna Thornborrow, Shân Wareing

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Patterns in Language: Stylistics for Students of Language and Literature (Interface), by Joanna Thornborrow, Shân Wareing

Patterns in Language addresses the real needs of students in modular systems who may not have a background either in traditional literature or in linguistic theory.
This student-friendly textbook uses the principles of linguistic analysis to investigate the aesthetic use of language in literary (and non-literary) texts. Written in straightforward, accessible language with imaginative examples and humour, it shows how linguistic knowledge can enhance and enrich the analysis of texts.
The authors borrow from traditional stylistics but focus primarily on the recurring linguistic patterns which are used by writers of poetry, fiction and drama. Textual examples include canonical literature and modern literary texts, as well as references to popular fiction, television and the language of advertising.
Tasks, including textual analysis, are provided at every stage, and sample answers are also included.

  • Sales Rank: #4892851 in Books
  • Brand: Brand: Routledge
  • Published on: 1998-03-28
  • Released on: 1998-03-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.06" h x .64" w x 6.14" l, 1.05 pounds
  • Binding: Paperback
  • 280 pages
Features
  • Used Book in Good Condition

Review
'A sound and useful introduction to language and literary style ...' - Jean Jacques Weber, University of Luxembourg

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Minggu, 23 Maret 2014

[N808.Ebook] Download Knowledge Management: Systems and Processes, by Becerra-Fernandez / Sabherwal

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  • Sales Rank: #3698753 in Books
  • Published on: 2010
  • Original language: English
  • Number of items: 1
  • Dimensions: .0" h x .0" w x .0" l, 1.10 pounds
  • Binding: Paperback

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[A649.Ebook] Fee Download My Name is LeonFrom Viking

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My Name is LeonFrom Viking

“Taut, emotionally intense, and wholly believable, this beautiful and uplifting debut” (Kirkus Reviews) about a young black boy’s quest to reunite with his beloved white half-brother after they are separated in foster care is a sparkling novel perfect for fans of The Language of Flowers.

Leon loves chocolate bars, Saturday morning cartoons, and his beautiful, golden-haired baby brother. When Jake is born, Leon pokes his head in the crib and says, “I’m your brother. Big brother. My. Name. Is. Leon. I am eight and three quarters. I am a boy.” Jake will play with no one but Leon, and Leon is determined to save him from any pain and earn that sparkling baby laugh every chance he can.

But Leon isn’t in control of this world where adults say one thing and mean another. When their mother falls victim to her inner demons, strangers suddenly take Jake away; after all, a white baby is easy to adopt, while a half-black, nine-year-old faces a less certain fate. Vowing to get Jake back by any means necessary, Leon’s own journey will carry him through the lives of a doting but ailing foster mother, Maureen; Maureen’s cranky and hilarious sister, Sylvia; a social worker Leon knows only as “The Zebra”; and a colorful community of local gardeners and West Indian political activists.

Told through the perspective of young Leon, too innocent to entirely understand what has happened to him and baby Jake, but determined to do what he can to make things right. In the end, this is an uplifting story about the power of love, the unbreakable bond between brothers, and the truth about what ultimately makes a family. My Name Is Leon will capture your imagination and steal your heart with its “moving exploration of race and the foster-care system that offers precious insight into the mind of a child forced to grow up well before his time” (Booklist).

  • Sales Rank: #2984444 in Books
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.03" h x 1.02" w x 5.35" l, .96 pounds
  • Binding: Hardcover

Review
“An inspiring debut. . . . My Name Is Leon grows an entire garden of vibrant characters who, through shared experiences with societal racism, become the nurturing family Leon needs. Their arrangements may not be traditional, but the exquisite results prove that families can sprout in the most unlikely places.”�—Shelf Awareness

“Taut, emotionally intense, and wholly believable, this beautiful and uplifting debut gives readers a hero to champion.” —Kirkus Reviews

"De Waal’s debut novel is exemplary in its portrayal of tender Leon, and his�child’s worldview of tragic events adds pathos to trying circumstances. . . .�This�moving exploration of race and the foster-care system offers precious insight into the mind of a child�forced to grow up well before his time." —Booklist

"Kit de Waal has already garnered praise and attention for her short fiction. She worked in family and criminal law for many years, and wrote training manuals on fostering and adoption; she also grew up with a�mother who fostered children. This helps explain the level of insight and authenticity evident in�My Name Is Leon, her moving and thought-provoking debut novel. . .�De Waal skilfully brings her adult characters to life through the perspective of her child protagonist and she bestows great compassion on all her protagonists."�—The Guardian

"This is the unforgettable story of a boy struggling to belong, and the author captures both his mindset and the period impeccably. Heartbreaking and uplifting—just read it."�—The Daily Mail

“Leon is pure goodwill in a wicked world, and he won't leave you when you put this unique book down. Authentic and beautiful, urgent and honest, this novel does what only the best do: it quietly makes room in your heart. At the end of the story I couldn't bear to close the book on Leon. I felt I was abandoning him. I wanted to talk about it straightaway with someone else who’d read it, and I know a great many readers will feel the same." —Chris Cleave, bestselling author of Little Bee

“There is something about small boys and mothers that really tugs at me. I found it tender and heart-breaking." —Rachel Joyce, bestselling author of The Unlikely Pilgrimage of Harold Fry

"An important book and a beautiful story told with compassion, urgency, and wit. My Name Is Leon is in many ways a tribute to kindness: to those who need it most, and those who distribute it with least reward. Leon and Maureen are heroes, and I fell in love with them instantly." —Stephen Kelman, author of the Man Booker Prize-shortlisted Pigeon English

"Please read this book because Leon needs you as a champion, as does every Leon out there now. This is a superbly written book that will break your heart but also I hope spur you to action." —Heidi Durrow, New York Times bestselling author of The Girl Who Fell from the Sky

About the Author
Kit de Waal is an award-winning short story writer. She was born in Birmingham, UK, to an Irish mother and Kittian father. She worked for fifteen years in criminal and family law and writes about the urban underbelly, forgotten and overlooked places where the best stories are found. She has an MA in Creative Writing from Oxford Brookes University and is a founder member of Leather Lane Writers and Oxford Narrative Group. My Name Is Leon is her first book.

Excerpt. � Reprinted by permission. All rights reserved.
My Name is Leon

1

April 2, 1980

No one has to tell Leon that this is a special moment. Everything else in the hospital seems to have gone quiet and disappeared. The nurse makes him wash his hands and sit up straight.

“Careful, now,” she says. “He’s very precious.”

But Leon already knows. The nurse places the brand-new baby in his arms with its face toward Leon so that they can look at each other.

“You have a brother now,” she says. “And you’ll be able to look after him. What are you? Ten?”

“He’s nearly nine,” says Leon’s mom, looking over. “Eight years and nine months. Nearly.”

Leon’s mom is talking to Tina about when the baby was coming out, about the hours and the minutes and the pain.

“Well,” says the nurse, adjusting the baby’s blanket, “you’re nice and big for your age. A right little man.”

She pats Leon on his head and brushes the side of his cheek with her finger. “He’s a beauty, isn’t he? Both of you are.”

She smiles at Leon and he knows that she’s kind and that she’ll look after the baby when he isn’t there. The baby has the smallest fingers Leon has ever seen. He looks like a doll with its eyes closed. He has silky white hair on the very top of his head and a tiny pair of lips that keep opening and closing. Through the holey blanket, Leon can feel baby warmth on his belly and his legs and then the baby begins to wriggle.

“I hope you’re having a nice dream, baby,” Leon whispers.

After a while, Leon’s arm begins to hurt and just when it gets really bad the nurse comes along. She picks the baby up and tries to give him to Leon’s mom.

“He’ll need feeding soon,” she says.

But Leon’s mom has her handbag on her lap.

“Can I do it in a minute? Sorry, I was just going to the smoking room.”

She moves off the bed carefully, holding on to Tina’s arm, and shuffles away.

“Leon, you watch him, love,” she says, hobbling off.

Leon watches the nurse watching his mother walk away but when she looks at Leon she’s smiling again.

“I tell you what we’ll do,” she says, placing the baby in the crib next to the bed. “You stay here and have a little chat with your brother and tell him all about yourself. But when your mommy comes back it will be time for his feed and you’ll have to get on home. All right, sweetheart?”

Leon nods. “Shall I wash my hands again?” he asks, showing her his palms.

“I think you’ll be all right. You just stand here and if he starts crying, you come and fetch me. Okay?”

“Yes.”

Leon makes a list in his head and then starts at the beginning.

“My name is Leon and my birthday is on the fifth of July, nineteen seventy-one. Your birthday is today. School’s all right but you have to go nearly every day and Miss Sheldon won’t let proper soccer balls in the playground. Nor bikes but I’m too tall for mine anyway. I’ve got two Easter eggs and there’s toys inside one of them. I don’t think you can have chocolate yet. The best program is The Dukes of Hazzard but there are baby programs as well. I don’t watch them anymore. Mom says you can’t sleep in my room till you’re older, about three, she said. She’s bought you a shopping basket with a cloth in it for your bed. She says it’s the same basket Moses had but it looks new. My dad had a car with no roof and he took me for a drive in it once. But then he sold it.”

Leon doesn’t know what to say about the baby’s dad because he has never seen him, so he talks about their mother.

“You can call her Carol if you like, when you can talk. You probably don’t know but she’s beautiful. Everyone’s always saying it. I think you look like her. I don’t. I look like my dad. Mom says he’s colored but Dad says he’s black but they’re both wrong because he’s dark brown and I’m light brown. I’ll teach you your colors and your numbers because I’m the cleverest in my class. You have to use your fingers in the beginning.”

Leon carefully feels the downy fluff on the baby’s head.

“You’ve got blond hair and she’s got blond hair. We’ve both got thin eyebrows and we’ve both got long fingers. Look.”

Leon holds his hand up. And the baby opens his eyes. They are a dusty blue with a deep black center, like a big period. The baby blinks slowly and makes little kissing noises with his mouth.

“Sometimes she takes me to Auntie Tina up on the next landing. I can walk up to Auntie Tina’s on my own but if you come, I’ll have to carry you in the basket.”

The baby won’t be able to speak until it’s much bigger so Leon just carries on.

“I won’t drop you,” he says. “I’m big for my age.”

He watches the baby blowing him kisses and leans into the crib and touches the baby’s lips with his fingertip.

His mom and Tina and the nurse come back all at the same time. Leon’s mom comes straight over to the crib and puts her arm round Leon. She kisses his cheek and his forehead.

“Two boys,” she says. “I’ve got two beautiful, beautiful boys.”

Leon puts his arms round his mom’s waist. She’s still got a round belly like the baby was still in there and she smells different. Or maybe it’s just the hospital. All the babyness made Leon’s mom puffed out and red in the face and now she’s near back to being herself again. Everything except the belly. He carefully touches his mother through her flowery nightie.

“Are there any more in there?” he says.

The nurse and Tina and his mom all laugh at the same time.

“That’s men for you,” says the nurse. “All charm.”

But Leon’s mom bends down and puts her face close to Leon.

“No more,” she says. “Just me and you and him. Always.”

Tina puts her coat on and leaves ten cigarettes on the bed for Carol to have later.

“Thanks, Tina,” she says, “and thanks for having Leon again. Think I’ll be out on Tuesday by the sound of it.”

Carol shuffles up in the bed and the nurse puts the baby in her arms. He is making little breathing noises that sound like the beginning of a cry. Leon’s mom begins to unfasten her cardigan.

“Isn’t he lovely, Leon? You be good, all right?” and she kisses him again.

The whole of the baby’s head fits into her hand.

“Come to Mommy,” she whispers and cradles him against her chest.

Tina’s flat is very different from Leon’s but it’s exactly the same as well. Both maisonettes have two bedrooms and a bathroom upstairs and a kitchen and living room downstairs.

Leon’s house is on the ground floor of the first block by the divided highway and Tina’s house is up on the next landing. The roadway has three rows of traffic on each side and the cars go so fast that they put a barrier up by the sidewalk. Now if Leon and Carol want to cross the road, they have to walk for ages to go to a crossing and press a button and wait until it starts to beep. The first time it was exciting but now it just makes it take longer to get to school in the morning.

Tina lets Leon sleep in the same bedroom as her baby. She always makes a bouncy, comfortable bed when Leon stays. She takes two cushions off the sofa and then wraps them in a blanket and puts a little baby’s quilt over him. When he is lying down she throws some coats on top and covers everything over with a bedspread. It’s like a nest or a den because no one would know he was there, like camouflage in the jungle. His bed looks like a pile of clothes in the corner but then “AAAGGGH,” there is a monster underneath and it jumps up and kills you. Tina always leaves the light on in the hall but tells him he has to be very quiet because of her baby.

Her baby is big and wobbly and his name suits him. Bobby. Wobbly Bobby. His head is too big for his body and when Leon plays with him, he always gets some of Bobby’s dribble on his hand. Bobby’s Wobbly Dribble. Leon’s brother won’t be like Bobby and just suck on his plastic toys all day and get his bib soaking wet. He won’t topple over on the sofa under the weight of his big head and just stay there till someone moves him. Leon always sits Bobby up but then Bobby thinks it’s a game and keeps on doing it.

Bobby loves Leon. He can’t talk and, anyway, he always has a pacifier in his mouth but as soon as Leon walks in the door, Bobby wobbles across the carpet and holds Leon’s legs. Then he puts out his arms for Leon to pick him up. When Leon’s brother is older they’re going to play together, soldiers and Action Man. They’re going to both have machine guns and run all over the house shooting at targets. Bobby can watch.

Tina’s house always has a window open and smells of baby lotion. Tina looks a bit like a baby herself because she’s got a round face with puffy cheeks and round eyes that bulge. She makes her hair different colors all the time but she’s never happy with it and Carol keeps telling her to go blond.

Tina always says, “If I had your face, Carol, it wouldn’t matter so much,” and Leon thinks she’s right.

Tina has a leather sofa that is cold and slippery on Leon’s legs and a sheepskin rug in front of the gas fire and a massive TV. She doesn’t let Leon call her “Tina,” like he calls his mom “Carol.” He has to call her “Auntie Tina” and he has to call Carol “Mom” because she says children have to have respect. And she doesn’t let Leon eat in front of the TV. He has to sit at a wooden table in the kitchen where there isn’t much room because she has a big fridge-freezer with ice cream in it. Bobby sits in his high chair smiling at Leon and Tina puts two scoops in Leon’s bowl and one for Bobby. Leon’s brother will probably only get half a scoop because he’ll be the smallest.

Sometimes, Tina’s boyfriend comes, but when he sees Leon he always says, “Again?” and Tina says, “I know.”

Most helpful customer reviews

0 of 0 people found the following review helpful.
So sad, but so good
By L. J. Rinaldi
Well written kid's voice. Leon's father was black, but his baby brother had a white father, and thus is more adoptable, after their mother has a breakdown.

Sweet tie into the allotment (the public garden), and how growing things helps the soul.

Life is hard, and life is unfair, and it all seems to be bad for Leon.

0 of 0 people found the following review helpful.
Beautiful
By Faldelah Jacobs
Everyone should read this book. I am going to love my children better. Leon is heartbreaking, pure, and reminds us that family is anyone.

0 of 0 people found the following review helpful.
Good Read sweet story happy ending
By cl�r Legatti M
Good but not Dynamite, took me back to the Era of my Child hood in the UK,
But I feel there could of been a lot more twists and turns

See all 33 customer reviews...

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Jumat, 21 Maret 2014

[J324.Ebook] Ebook Download Lies My Mother Never Told Me: A Memoir, by Kaylie Jones

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Lies My Mother Never Told Me: A Memoir, by Kaylie Jones

In her riveting memoir Lies My Mother Never Told Me, Kaylie Jones—the daughter of author James Jones (From Here to Eternity) and an acclaimed author in her own right (A Soldier’s Daughter Never Cries; Celeste Ascending; As Soon As It Rains)—tells the poignant story of her relationship with her famous father and her alcoholic mother, and of her own struggles with the disease. A true story of privilege, loss, self-discovery, and redemption, Lies My Mother Never Told Me is Jones’s unforgettable account of a not-quite-fairy-tale childhood and adulthood defined by two constants: literature and alcohol.

  • Sales Rank: #965631 in Books
  • Published on: 2010-08-17
  • Released on: 2010-08-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .90" w x 5.31" l, .64 pounds
  • Binding: Paperback
  • 400 pages

From Publishers Weekly
Starred Review. Accomplished author Jones (A Soldier's Daughter Never Cries), daughter of famed literary figure James Jones, has spent most of her life avoiding the twin parental legacies of fame and alcoholism. In this brilliant, touching memoir, Jones faces both head-on. Jones explores her life, from her childhood in France, surrounded by the greatest literary minds of the age, to her troubled adulthood, seeking a way independent of the great minds that sired her. Looming throughout is Jones's larger-than-life mother-charming, caustic and alcoholic. As Jones wrestles with her own alcohol issues, coming out sober and strong, her relationship with her mother (long in denial) continues to deteriorate. Absolutely addictive, this story of struggle and triumph is a joy to read, thanks to Jones's gift for handling dark material with humor and grace. A rare child of privilege capable of looking on herself and her family objectively, Jones has produced a memoir will be a treasure for fans of literature and literary memoirs, as well as anyone who's coped with alcoholics in the family.

Review
“A bright, fast-paced memoir with an inviting spirit. There is real immediacy to the family portraits here....There’s also great daughterly love for James Jones, as his daughter sometimes insists on referring to him, and palpable pride in his achievements. ” (Janet Maslin, New York Times)

“Unadorned, poignant and honest to the core, Kaylie Jones’ memoir is a light emerging from the shadows of a writing life.” (Colum McCann, author of Let the Great World Spin)

“Searing, brutally honest....What makes Lies My Mother Never Told Me such an uplifting book despite all the pain and turmoil it recounts is its revelation of how Kaylie Jones has matured as a person in dealing with her twin legacies, literary and alcoholic, and also as a writer.” (Washington Times)

“Brilliant, touching…. Absolutely addictive, this story of struggle and triumph is a joy to read, thanks to Jones’s gift for handling dark material with humor and grace…. a treasure for fans of literature and literary memoirs, as well as anyone who’s coped with alcoholics in the family.” (Publishers Weekly (starred review))

From the Back Cover

Her mother, Gloria, was a brainy knockout whose fierce wit could shock an audience into hilarity or silence. Her father was James Jones, the award-winning author of From Here to Eternity and other acclaimed novels of World War II . Kaylie Jones grew up amid such family friends as William Styron, Irwin Shaw, James Baldwin, and Willie Morris, and socialized with the likes of Truman Capote, Norman Mailer, and Kurt Vonnegut. When her father died from heart failure complicated by years of drinking, sixteen-year-old Kaylie was broken and lost, which in turn left her powerless to withstand her mother's withering barbs and shattering criticism, or to halt Gloria's further descent into the bottle—or that of her own.

Lies My Mother Never Told Me is a beautifully written tale of personal evolution, family secrets, second chances, and one determined woman's journey to find her own voice.

Most helpful customer reviews

9 of 9 people found the following review helpful.
Medicine for the Broken Soul, Doctor's Orders
By Qanta Ahmed
I had the great good fortune to discover 'Lies My Mother Never Told Me' earlier on this month. I picked up the book after a busy day of meetings and began to read, unwinding from a hectic day. Soon I was engrossed, and despite the lateness of the hour, had to read deep into the night. The next day I returned to it, setting my work aside and a day later finished it in a final sitting. I shed unseen tears in the fluorescent ignominy of a nail salon as I reached the poignant ending of the book. Ms.Jones writes with a brutal honesty and integrity which can only be the hard won prize of true introspection born of searing intensity and courage.

As a practicing physician, I have diagnosed, attended, treated and sadly even pronounced many, many alcoholics who often evoke in me a deep sense of pathos and loss. In my opinion, this book captures the other side of the conversation and is truly instructive toward healing the divide between alcoholism and hapless medical physicians who often cannot identify, empathize or begin to understand the invisible alcoholics who are all too often unacknowledged, overlooked in our offices. Instead we engage in a masquerade of treating a more socially acceptable illness, a skin infection or a dental abcess, all the while overlooking the alcoholic who is often desperate to be released through the rebirth a diagnosis could really provide.

The day after I finished the book I attended my usual afternoon office hours. The first patient who entered was a woman I had recently identified as newly relapsed into active alcoholism. She and I talked about our last meeting some weeks earlier, and, after a few minutes, I wrote down the title of this book and the name of the author, insisting my patient read this. She beamed with the sense that finally someone could relate to her. The patient was heartened: finally I was offering a medicine (of sorts) which felt inclusive, not punitive or labeling or somehow judgmental. She left to attend her AA meeting later that day and at the next visit I will ask her about her experience of the book.

At the end of office hours I met a new patient who had disclosed a life long phobia of driving. For some reason, I asked her where this fear came from, and she immediately described a terrifying childhood of being captive to her father's reckless drunken driving. She crouched down as she explained how she protected her younger brother who huddled with her on the floor behind the backseat of the wildly swerving car. I could see the terror in her eyes, forty years later. She too walked away with a 'prescription' for this book.

There is much greatness in Ms.Jones - in her humanity, her humility, her defiance and her perseverance. This she has protected deep within herself despite the burdens of a heavy mantle a scion of literary royalty must bear. Her book captures all of this. But perhaps what she is unaware of is that in writing her memoir to heal herself, she has unwittingly healed many, many others.

I recommend everyone with any relationship - personal, professional, academic, intellectual or otherwise - with alcoholism (no matter how remote the interface appears to be) run out and snatch a copy of this book. The words are nothing short of medicine for the broken soul.

9 of 9 people found the following review helpful.
Famous war-author's daughter enjoyed a life of privilege but suffered from her mother's belittling and familial alcohol abuse.
By Julee Rudolf
Kaylie Jones' (p 27) sums up her alcoholic, socialite mother's thoughts about her thusly, "I annoyed and bored my mother to distraction, and elicited from her the most soul-shattering cruelty--the kind only a mother can inflict." Like her father, Ms. Jones (born in 1960) became a writer. And it sounds like her father felt similarly about his own mother as she did about hers. In the preface to her father's collection of short stories The Ice-Cream Headache and Other Stories, "TICH" Ms. Jones claims that (p ii), "he hated--passionately hated--his mother Ada." The Jones family of four (the couple adopted a boy the same age as their biological daughter when he was four) lived in France until moving to the States in 1974. Lies My Mother Never Told Me contains plenty of Jones family members' interactions with famous literati as well as entertaining, often expletive-filled, anecdotes about her parents. In the second chapter she tells of her father's upbringing and discusses the contents of TICH (much of the same stuff can be found in the preface she wrote for the collection). Things changed for the family after James Jones' diagnosis with a serious heart condition. She shares details of her educational experiences, writing career, romance, dabble in drugs, and alcohol dependence and delves deep into the near-Mommy Dearest theme. Fortunately, her mother was always there with a helping handout ((p 81), "My mother always gave me money when I needed it. Always;" (p 123), "She rescued me with a $20,000 check;" and (p 153) "Through a friend of hers, we'd found a psychiatrist, and since I didn't have health insurance, my mother was helping me pay for the sessions." Unfortunately, she never seemed to win her battle with the bottle.

Although Kaylie Jones' mother's belittling behavior towards her daughter and granddaughter was heartbreaking, her focus on financials, especially in light of her mother's frequent funding, was irritating. She whines about her ex-beau after their break-up (p 137-138), "Clearly, it had been important to him to gather whatever material spoils he could on his way out...I'd been completely outplayed. I'd let him take anything he'd wanted out of the hundreds of expensive gifts," gets stressed at hearing she's been disinherited in favor of her granddaughter Eyrna (p 354), `"She cut me out of her will." My mouth was completely dry, and I was hyperventilating. "I can't breathe,"' and later (courtesy of Eyrna's dad), "All we ever wanted was to be able to provide for Eyrna a private school education and an Ivy League college, if that's what she wants. And she'll have that." This financial freakishness from a gal whose only political comments are anti-Republican (p 118), "...those monstrous Reagan years...," and (p 312), "...George W. Bush...a news clip had shown the U.S. president failing to stand for the old veterans until President Mitterand leaned over and quietly urged him to his feet," seems odd. Then again, I'm more of a "pull oneself up by the bootstraps" kind of gal (and paid my own way through undergrad and grad school). But I digress... Lies My Mother Never Told Me is a longer than average memoir about a girl trying to get back on the path after straying due to the affects of her father's early death and her mother's outrageous behaviors. Better: The Mercy Papers by Robin Romm, The Glass Castle by Jeannette Walls, and The Ice-Cream Headache and Other Stories by James Jones.

11 of 12 people found the following review helpful.
Self-help Memoir
By A. Howe
From the opening word of her memoir, Lies My Mother Never Told Me, to the final punctuation, Kaylie Jones puts her life in full view for all the world to read knowing full well her self-esteem, dignity, and emotional health will cannon fodder and become casualties of war. A war fought on the home front that ambushes, out flanks, and attacks her head on. The enemy is alcoholism and Gloria Jones, Kaylie's mother, is the face of that adversary. Being the daughter of a WWII veteran, Kaylie soldiers on to resurrect her life from the ashes of the battlefield.
Although Gloria Jones may be seen as an evil character from a Disney movie, Kaylie portrays her realistically, yet tactfully does not post blame. Gloria, despite her horrible comments to Kaylie throughout her life is seen for her physical beauty, grace, sense of humor, and addiction that consumes the real Gloria and those around her. The brutal honesty in which Kaylie writes is an attribute to her as a writer, person, and healer. How does a child hearing numerous times, "If I had to pick between having your father of having you, I would pick your father" and not be cut to the core? This sets the pattern of verbal abuse Kaylie endures at the hands of her mother's addiction. It would be easy for Kaylie to blame her mother, but she doesn't. Kaylie does what all children of alcoholics or children whose parents are divorcing do. She blames herself and suppresses the hurt and anger in order to keep the peace. Having had years of experience, therapy, a supporting husband, and a tough, strong-willed, and insightful daughter, Kaylie is able to filter through the rubble and never place blame, but enlighten us to the true evil mustache-twisting antagonist, alcohol.
Kaylie, herself, turned to the bottle as a way to cope with life. Her entire life she was groomed that alcohol is not evil, but the people who could not handle it are. Alcoholics are degenerates who are homeless and whose lives are in shambles. After all, her father wrote several novels while drinking heavily. That was "proof" he wasn't an alcoholic. Her mother functioned normally, had a wonderful husband and social life, and she drank heavily. Wasn't that "proof" she wasn't an alcoholic? They were alcoholics and Kaylie became one herself, but realized that despite her family's definition of an alcoholic, she faced the sobering truth and admitted it.
Despite all the horrible things Kaylie experienced at the hands of alcohol, including the loss of her father as a teenager, she propels herself upward after hitting rock bottom. What Kaylie experienced was the control that "demon-alcohol" has on a person. As she starts her path to sobriety, Kaylie is met head-on and is refuted by her mother. Kaylie breaks away, not from her mother, but the stranglehold alcohol has on her life. Just as she described, alcoholics circle the wagons to defend their need to maintain their lifestyle. That lifestyle often flourishes because the alcoholic surrounds themselves with other alcoholics or enablers. Kaylie, with her resurrected self-esteem, need for normalcy, and sheer desire to be well, breaks free again. She does so not only for herself, but for the survival of her family.
Lies My Mother Never Told Me is a self-help book brilliantly disguised as a memoir. Whether you are an adult child of alcoholic parents (ACOA), or someone who grew up with other issues, Lies My Mother Never Told Me will contain something for anyone searching for a road map to find solace in their life. Kaylie proves no matter what demons you face, there are always options to free yourself and get your life back on track.
Kaylie has changed her life round and now assists others to better their lives as a teacher, writer, and friend. She is a dedicated teacher who goes to any lengths in helping her students achieve their goals. With the publishing of Lies My Mother Never Told Me, Kaylie is able to extend her assistance beyond the classroom, right into the reader's home. Lies My Mother Never Told Me is a reflection into the past, and outline of the present, and a guide into the future. What could be better than a hand-held therapy session for your personal demons than a friendly copy of Lies My Mother Never Told Me, or thousands of dollars and countless hours of therapy with a stranger? Thank you Kaylie for helping me understand alcoholism and making sense of what I experienced as a child of alcoholic parents. You have given me insight into not only the mind of an alcoholic, but also myself, and why I reacted and did the things I couldn't understand. Lies My Mother Never Told Me can do the same for you if you read with the same openness and honesty Kaylie writes with.

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Sabtu, 15 Maret 2014

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  • Published on: 2014-12-16
  • Binding: Paperback

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[Q785.Ebook] PDF Download Advertising: Concept and Copy (Third Edition), by George Felton

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Advertising: Concept and Copy (Third Edition), by George Felton

The new edition of a classic text about advertising creativity: how to find great ideas and express them freshly and powerfully.

A classic text now in a new edition, George Felton’s Advertising: Concept and Copy is an innovative approach to advertising creativity. It covers the entire conceptual process, from developing smart strategy to executing it with strong ads―from what to say to how to say it.�

Part 1, Strategies, operates on the premise that the idea beneath an ad’s surface determines its success. This first section shows how to research products, understand consumer behavior, analyze audiences, and navigate marketplace realities, then how to write creative briefs that focus this strategic analysis into specific advertising objectives. Part 2, Executions, explains how to put strategy into play. It discusses the tools at a copywriter’s command―creating a distinctive brand voice, telling stories, using language powerfully and originally―as well as the wide variety of media and advertising genres that carry and help shape messages. But great executions are elusive. So Part 3, the Toolbox, gives advice about how to think creatively, then presents an array of problem-solving tools, a series of techniques that advertisers have used repeatedly to produce exceptional work.�

In brief, this book shows how to find strong selling ideas and how to express them in fresh, memorable, persuasive ways. The new edition features greatly expanded discussions of guerrilla advertising, interactive advertising, brand voice, storytelling, and the use of social media. Hundreds of ads in full color, both in the book and on an accompanying Web site, demonstrate the best in television, radio, print, and interactive advertising. Advertising: Concept and Copy is the most comprehensive text in its field, combining substantial discussion of both strategy and technique with an emphasis on the craft of writing not found elsewhere. It is truly a writer’s copywriting text.

500 color illustrations

  • Sales Rank: #120024 in Books
  • Brand: Brand: W. W. Norton Company
  • Published on: 2013-08-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x .90" w x 8.60" l, 2.86 pounds
  • Binding: Paperback
  • 320 pages
Features
  • Used Book in Good Condition

Review
“The updated third edition . . . continues to provide new generations with a powerful, in-depth approach to creative advertising routines . . . . [A] recommended pick for any business library.” (Midwest Book Review)

“This book should be handed out to every freshman in college instead of taking that freshman comp class. It’s a beautifully written and illustrated exposition of everything you need to know about writing lucid, funny, eye-grabbing, thought-provoking copy, whether for the Web, journalism, or longer forms―like books. Read this instead of Strunk and White; it’s much more useful and to the point.” (Nick Morgan, PhD, communication theorist and coach, founder of Public Words)

“Felton has not just written a course on copywriting techniques, but rather a travelogue through the land of thinking. . . . Even the most long-suffering, jaded, cynical agency ad person will benefit from having this book in the desk drawer and secretly dipping into the ‘Toolbox.’” (Byron Ferris, Communication Arts magazine)

“Finally a book that strips away some of the smoke and mirrors of the creative process and gives students a groundwork for concepting an advertisement. I would recommend it to anyone considering this profession.” (Christopher Cole, vice president/creative director, BBDO, New York)

“Full of incredibly useful stuff that will make anyone thinking about getting into advertising up to speed on the most important part: the Idea.” (Steve Stone, founding partner, Heat, San Francisco)

“The best advertising book I have ever read. Most books overextend with power phrases and industry lingo. Advertising: Concept and Copy, on the other hand, speaks superbly to anybody. I think it’s the clearest and most concise text yet produced for the advertising professional, covering all the most relevant topics without being boring or technical. It’s practical, intelligent, relevant―and my secret weapon.” (Simon Morris, director, P2P Interactive Marketing & Advertising, Melbourne, Australia)

About the Author
George Felton teaches writing and copywriting at Columbus College of Art & Design in Ohio.

Most helpful customer reviews

8 of 9 people found the following review helpful.
Advertising Concept and Copy Remains Relevant
By Edward Boches
Granted advertising as we know it is in the midst of major changes. Message based ads are less and less effective. Agencies and their clients are turning to utility, social media, co-creation, trans media story telling and a host of new ways to overcome consumer indifference as they strain for some of that elusive and scarce attention.

So right off the bat a book titled Advertising Concept and Copy sounds old and dated. But there remains much that is relevant in George Felton's book. The idea that you have to develop a very focused strategy based on knowledge of your product and consumer. The conviction that you still have to find a clever way to get noticed and remembered. The understanding that to invent creative solutions you have to master the skill of looking at a product from a multitude of perspectives.

As an original partner and long-term creative director (ECD, CCO) at Mullen, and now a professor of advertising at Boston University, I still believe that learning how to craft smart, relevant, clever advertising is a foundation for any aspect of advertising today -- traditional, social, digital, or experiential. Learning to identify a problem, develop a brief, explore a range of potential solutions and acquire the standards, taste and judgment to select an idea that will resonate with customers are the basics for any kind of communication, from a modern TV commercial like Dumb Ways to Die, to a fresh content daily campaign such as Oreo's 100th, to native advertising ideas that won't get lost in the sea of mediocre content.

So while this book doesn't really get into the most modern ideas or teams of processes that we see now from the most innovative agencies, it does a marvelous job of introducing the reader and students to the basics of strategy, consumer analysis, concepting, execution and writing. (The latter, sadly, is a dying craft despite the power of words to persuade and inspire.) It also serves as a reminder that creativity or execution for the sake of creativity or execution are as meaningless as a brilliant brief without a remarkable creative execution to bring it to life.

Perhaps most importantly, if you're looking for a book that you can actually use and learn something practical from, Advertising Concept and Copy doesn't simply tell you how things should work or give you examples that do, it strives to help you with solid tips, suggestions, how-to's, starting points, ways to look at problems, etc. As any creative person knows, you inevitably have to teach yourself and find what works best for you when it comes to idea generation, but for the beginner, there is much that's useful in these 256 pages.

I have few small complaints, such as the writer didn't know that Shackleton's recruitment ad is nothing more than urban legend. Or that some of the examples about changing behavior (re smoking and drinking) weren't actually very effective. And, as mentioned earlier, that most of the examples represent the past more than the future. But overall, this is among the better books available for any of the following.

Students who are studying advertising.
Students who aspire to a creative career and want to develop the basic skills and tools.
Teachers and professors who want a solid companion to augment their own approach to the topic.
Young professionals who want a bit more history and an improved frame of reference for the business.

I plan to use it in some of my own introductory classes.

0 of 0 people found the following review helpful.
The most practical book for ad copywriters.
By Chase
I can easily say that, of the dozen copywriting/persuasion books I own, this book is one of the most practical.

It gets all the prerequisite stuff in there (target audience research, how to create a brief, choosing a strategy) and throws in topics people rarely cover, like how to write in a particular voice or writing non-hype headlines.

i recommend this book for newbies and pros alike. And I say that as a mid-level digital copywriter with 4+ years of professional experience.

0 of 0 people found the following review helpful.
Great for an advertising class or teaching yourself.
By lilymilo16
Purchased this book for my Visual and Copywriting class. It has a great mix between pictures and text, and is very easy to read and follow. Would recommend this book for a communication class or just to brush up on advertising concepts.

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Jumat, 14 Maret 2014

[A394.Ebook] Ebook Secrets: A Memoir of Vietnam and the Pentagon Papers, by Daniel Ellsberg

Ebook Secrets: A Memoir of Vietnam and the Pentagon Papers, by Daniel Ellsberg

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Secrets: A Memoir of Vietnam and the Pentagon Papers, by Daniel Ellsberg

Secrets: A Memoir of Vietnam and the Pentagon Papers, by Daniel Ellsberg



Secrets: A Memoir of Vietnam and the Pentagon Papers, by Daniel Ellsberg

Ebook Secrets: A Memoir of Vietnam and the Pentagon Papers, by Daniel Ellsberg

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Secrets: A Memoir of Vietnam and the Pentagon Papers, by Daniel Ellsberg

Daniel Ellsberg began his career as the coldest of cold warriors-a U. S. Marine company commander, a Pentagon analyst, and a staunch supporter of America's battle against Communist expansion. But in October 1969, Ellsberg-fully expecting to spend the rest of his life in prison-set out to turn around American foreign policy by smuggling out of his office the seven-thousand-page top-secret study, known as the Pentagon Papers, of U.S. decision making in Vietnam. Now, for the first time, Ellsberg tells the full story of how and why he became one of the nation's most impassioned and influential anti-war activists-and how his actions helped alter the course of U.S. history.

Covering the decade between his entry into the Pentagon and Nixon's resignation, Secrets is Ellsberg's meticulously detailed insider's account of the secrets and lies that shaped American foreign policy during the Vietnam era. Ellsberg provides a vivid eyewitness account of the two years he spent behind the lines in Vietnam as a State Department observer-an experience that convinced him of the hopelessness of Johnson's policies and profoundly altered his own political thinking. As Ellsberg recounts with drama and insight, the release of the Pentagon Papers, first to The New York Times and The Washington Post, set in motion a train of events that ultimately toppled a president and helped to end an unjust war.

Infused with the political passion and turmoil of the Vietnam era, Secrets is at once the memoir of a committed, daring man, an insider's expos� of Washington, and a meditation on the meaning of patriotism under a government intoxicated by keeping secrets.

  • Sales Rank: #544558 in Books
  • Published on: 2002-10-14
  • Released on: 2002-10-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.58" h x 1.63" w x 6.42" l,
  • Binding: Hardcover
  • 512 pages

From Publishers Weekly
Ellsberg's transformation from cold warrior and Defense Department analyst to impassioned antiwar crusader who released the Pentagon Papers to the New York Times in June 1971 makes a remarkable and riveting story that still shocks 30 years later. Avoiding, for the most part, self-justification and self-aggrandizement, he clearly relates the experiences that led him to reject as arrogant lies the premises six presidents presented to the public and Congress to secure support for the Vietnam War. He describes the disjunction between what he saw during visits to Vietnam in the early and mid-'60s, driving through dangerous Viet Cong-held territory, and what was told to the press and public. And he recalls his first reading of the classified documents later known as the Pentagon Papers, which exposed the motives, in his view unprincipled, behind American involvement in Vietnam. Ellsberg creates page-turning human drama and suspense in both his descriptions of his early experience accompanying U.S. combat missions in Vietnam and his days spent underground evading an FBI manhunt after the Times's publication of the Papers. Another strength of this memoir is Ellsberg's vivid recollections of meetings with prominent policymakers, from Henry Kissinger to Senator William Fulbright, that re-create the deep tensions of the Vietnam era. Ellsberg raises serious ethical questions about how citizens, politicians, the press and officials act when confronted with government actions they consider immoral and perhaps illegal. Ellsberg's own answer is history.
Copyright 2002 Reed Business Information, Inc.

From Library Journal
Before leaking the Pentagon Papers, which documented U.S. foreign-policy failures and deceit in Vietnam from 1945 to 1968, Ellsberg was a gung-ho advisor to the State and Defense departments. One fascinating part of this story is his growing disenchantment with the war during these years. He came to believe that leaking the top-secret papers and other classified documents was a patriotic act that could help end the war. Other fascinating aspects of this account include Ellsberg's frustrated attempts to find a member of Congress who would accept and use the papers to build a case against the war as well as his growing role in the antiwar movement. President Nixon failed in his strong-arm tactics to discredit Ellsberg, and the case against him was dismissed because of the illegal break-in at the office of Dr Lewis Fielding, Ellsberg's psychiatrist. Interestingly, Ellsberg speculates that the break-in by Nixon's "Plumbers" was as much an attempt to blackmail Fielding as it was a gambit to stop Ellsberg. The book suffers somewhat from the overabundance of detail and repetition that also flawed Tom Wells's Wild Man: The Life and Times of Daniel Ellsberg. However, Ellsberg's autobiographical account provides insight into the disturbing abuses of presidential power that plagued the Vietnam/Watergate era. Recommended for public libraries.
Karl Helicher, Upper Merion Twp. Lib., King of Prussia, PA
Copyright 2002 Reed Business Information, Inc.

From Booklist
Call it "the Gary Cooper factor": pop culture (and pop history) demands a certain modesty (like that of Cooper's "aw shucks" film characters) from American heroes. So Ellsberg hasn't fit comfortably into the American pantheon. His signal contribution also remains controversial: Ellsberg "leaked" the Pentagon Papers, but those voluminous documents were simply a history of the Vietnam War few Americans actually read. They offered few surprises but did confirm the antiwar movement's charge that the government had lied to its citizens. An unlikely whistleblower, Ellsberg was a Harvard economics Ph.D. who shifted between government appointments and the RAND Corporation and spent significant time in Vietnam--a quintessential "defense intellectual." Even after he decided the "top-secret" Pentagon Papers should be released, he spent nearly two years trying to convince various dovish politicians to take the lead. The Pentagon Papers went to the press--the New York Times and, later, the Washington Post and other outlets--only because no one else would reveal them. The Nixon administration's hysterical reaction "justified" a number of the Watergate crimes that brought down Nixon's presidency. In this memoir of his years working first for and then against the U.S. defense establishment, Ellsberg clearly regrets he took action so many years after he realized the Vietnam War could not be won. An important addition to U.S. history in the 1960s and 1970s. Mary Carroll
Copyright � American Library Association. All rights reserved

Most helpful customer reviews

4 of 4 people found the following review helpful.
Rare History
By Amazon Customer
Ellsberg is a driven man--driven toward solving puzzles and righting that which is wrong. The intensity of his intellect and the breadth of his insider experience would have made Daniel Ellsberg an amazing historian of the Vietnam War even if he hadn't become an anti-war activist. The fact that he had--in the end--studied both sides, and that eventually he had access not only to the Pentagon Papers but also the Nixon Whitehouse tapes allowed him to explain the war and its perpetrators with a rare combination of vividness and authority.

Judging from what is written in today's newspapers, the patterns Ellsberg describes in Secrets are repeating themselves in the Iraq War. _Secrets_ deserves to be widely read, as a lesson in courage, as history, and as a warning to those of us who might be tempted to sit back and trust unquestioningly those who would lead us into war then resist bringing us back out.

0 of 0 people found the following review helpful.
Pentagon papers in review
By M Mahoney
This book is a review of the pentagon papers and how they were released. The author explains his views and how they were changed over the years due to deliberate falsehoods by the 5 administrations responsible for our involvement In Viet Nam

184 of 188 people found the following review helpful.
Spellbinding Recounting Of The Pentagon Papers Story!
By Barron Laycock
After finding this book quite by accident while browsing through the wonderful Concord bookstore the other day, I was astounded to find how relevant and interesting a story author Daniel Ellsberg manages to conjure up after all this time regarding his legendary experience leading up to and including the leaking, release and publication of the infamous "Pentagon Papers' by the New York Times. As he explains early in the long yet fascinating monologue, he fully expected to be sentenced to a long prison sentence for having secreted a copy of the highly classified Department of Defense's official history of the American Government's policy and involvement in Vietnam. The report was a damning confirmation of the worst fears of the anti-war movement, and provided overwhelming evidence of the cynical, manipulative, and deceitful character of our government and its deceit to its own people regarding its involvement.

What surprised Ellsberg most in all of this swirling excitement and activity was his own growing celebrity, and while he spent years fearing the worst for his own admitted culpability in defying criminal statues by stealing and leaking official government secrets, eventually the charges against him were dropped based, among other things, on the revelations of the Nixon's plumber's unit's illegal break-in at Ellsberg's psychiatrist's office. Ellsberg was an unlikely hero, a graduate of the Harvard University economics doctoral program, a former marine officer turned defense issue intellectual, a frequent visitor to Vietnam who was rankled by the distinct difference between what he was seeing and experiencing during his visits, on the one hand, and what the official American government position regarding what the situation was on the ground on the other.

Based on this growing dissatisfaction and the discovery of the so-called Pentagon papers, a treasure trove of more than 7,000 pages of carefully documented details about the U.S. Government's involvement in Vietnam and its motives, considerations, and actions, Ellsberg tried to enlist the support of a number of Senators and Congressmen in an effort to use the evidence in the Pentagon Papers to undercut the Government's position and thereby end the war itself. Failing to do so, he finally surrendered the documents to the New York Times, which agreed to publish them through a series of daily excerpts (and also later in an abridged best-selling paperback version). The Government tried to stop publication, but was denied the right to do so by the Supreme Court. Of course, with the publication came an increase in public opposition to the war and a recognition of the degree to which the Executive branch and the military had intentionally misled the public regarding the conduct of the war and the situation on the ground for the moir� than 500,000 troops then stationed in-country. Still, it took more than five more years before the American involvement in Vietnam ended.

This is a wonderful book to experience, and in reading it one comes to recognize the formidable skills Ellsberg brings to bear in terms of his amazing recall, eye for details, and ability to successfully juggle a variety of interacting considerations at the same time. This guy is smarter than the average teddy bear, and it is easy to see how difficult a task it would have been for the Department of Defense and the nitwits over in the White House to try to outmaneuver him. I was a bit surprised at some of the personal revelations in the book, and while it is obvious that Mr. Ellsberg has a healthy ego, he manages for the most part to keep it at bay in retelling a story that could have easily have devolved in a retelling of the David against Goliath epic, but which he keeps objective and factual enough to keep the story rolling along as a recounting of the gripping events that transpired more than thirty years ago and helped to turn the tide of public opinion toward the war in Vietnam. I heartily recommend this book to anyone interested in 20th century American history. Enjoy!

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